REVIEW: Prepare to be dragged into a fox hole of surreality and scrabble in Wollin’s ‘The Skin of the Teeth’ (2018)

Surrealism is a niche that has been largely unexplored by the LGBTQ+ filmmaking community. Experimental queer films tend to lean on the shock value of unusual storylines (see: Stranger by the Lake (Alain Guiraudie, 2013), a murder-twist embedded into a straightforward gay romance) rather than atypical film techniques. The lack of similar examples is an argument for the merit of The Skin of the Teeth (Matthew Wollin, 2018), which begins as a predictable tale, following Josef, the jittery everyman who displays endearing nervousness, hinting at inexperience. We first see Josef…

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